This episode covers the letter R and discusses Mick Ronson part two. Available FREE via your preferred podcast download or streaming. I personally prefer acast.
Film lighting The way you light your film significantly affects how your audience perceives it. Using moody lighting with dark shadows in a teen comedy is not advisable; by the same token, your film noir is unlikely to work if there are bright colors and flat lighting.
Imaginative and tonally appropriate lighting is crucial to successful filmmaking. Read more about film lighting. Good camerawork Good framing techniques will work wonders for your film. I am convinced — and there is evidence of this in every film — that imaginative camerawork will increase the connection between the audience and your story.
There is so much mediocre camerawork around that you may as well err on the side of unusual angles — just make sure that your choices are motivated by the characters and the scene, not by a self-defeating lust for wacky camera angles.
Rule of thirds The rule of thirds prescribes the placement of significant vertical and horizontal elements along the horizontal and vertical thirds, as shown in the illustration below: It must be emphasised that the rule of thirds is only a guideline, and following it indiscriminately may result in an unbalanced and ugly composition.
Shooting close-ups The illustration below shows my philosophy in the framing of close-ups. Anyone can shoot a close-up, but framing a balanced and visually pleasing one takes a little bit of judgement and practice. I strongly recommend you read my detailed post on how to shoot close-ups.
Shooting over-the-shoulder shots Over-the-shoulder shots are peculiar to the art of filmmaking and are much maligned by some filmmakers for being time-consuming to shoot correctly, but in my opinion every ambitious filmmaker would be well advised to master not only the visual elements that go into a pleasing over-that-shoulder shot, but also how to communicate with the cast and crew to achieve the correct framing.
The illustration below shows my over-the-shoulder shot framing philosophy: I strongly recommend you read my detailed guide on how to shoot over-the-shoulder shots. You may not notice it in the viewfinder, but if the eyes are soft and the background is sharp it will be obvious on a TV screen and your audience will hate it.
Whatever it is that you want to be in focus, use this technique: In this way your subject will be pin-sharp. You should do this as a matter of course on every single setup, and indeed on every take, especially if the subject moved after the last take.
The reason for zooming in before focusing is that the longest focal length has the smallest depth of field — if something is in focus at the longest end of the zoom, it will be in focus at every other focal length too.
Neutral-density filters When shooting outside, lighting conditions are likely to be bright, but you can still use a wide aperture if you use a neutral-density filter. Neutral-density filters are essentially color-neutral grey filters which reduce the brightness of the light reaching the film or CCDs.
The point is that you reduce the intensity of the light by using a neutral-density filter and then compensate for it by using a wider aperture. Professional camcorders sometimes have one or two inbuilt neutral-density filters, which you can engage with a toggle switch.
They can reduce the intensity of the light by several stops. Foreground objects Foreground objects add texture and increase the illusion of depth.
It is imperative that the foreground element should be out of focus; if it is sharp, it will distract from the main subject and will lose its textural effect.Silent / Music Revival is a unique event where classic silent films are projected while local musicians act as the live soundtrack.
As an added twist the band does not see the film prior to the event and therefore creates a new spontaneous score. Sep 23, · Until, that is, life imitates art. by the author Anthony Burgess, and the film by director Stanley Kubrick, serve as moral dilemmas and cautionary tales plumbing such considerations as free will, the duality of mankind, Anthony.
introduction to “A Clockwork Orange”. Until, that is, life imitates art. So it is with the futuristic dystopian story of “A Clockwork Orange”. Both the book, by the author Anthony Burgess, and the film by director Stanley Kubrick, – Burgess, Anthony.
introduction to “A Clockwork Orange. Brief biography, concentrating on some salient facts of Kubrick's life. Filmography The films listed in chronological order.
Awards Best Director (Stanley Kubrick) Nominated Best Screenplay based on material from another medium (Stanley Kubrick) National Society Of Film Critics Awards Winner.
'THE A TO Z OF DAVID BOWIE' PODCAST #42 14th November The forty-second episode of THE A TO Z OF DAVID BOWIE podcast created by MARC RILEY, ROB HUGHES and sound assisted by HOWARD NOCK is now available online for your listening pleasure..
This episode covers the letter R and discusses Mick Ronson (part two). In my eyes, Tinto is simply grand. In the US, Tinto is primarily known for Caligula, which is a pity, as that is by far the worst work in his entire iridis-photo-restoration.com has some nice moments, it has some beautiful visuals, but overall it is quite dull and unconvincing, and it doesn’t help that the film was taken out of his hands and refashioned to become a work of vile sensationalism.